In Jan Krenz asked Witold Lutosławski for a composition to mark the following year’s tenth anniversary of Béla Bartók’s death. However. Funeral Music for String Orchestra. Duration: 13’30”; Instrumentation: archi ( ); Year: ; Language of edition: pol; Type: parts. Composer:Witold Lutosławski; Original title: Muzyka żałobna na orkiestrę Variations for Orchestra, Lutosławski: Funeral Music, Livre pour orchestre”, Berliner.

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The music is formed similarly to that of the Prologue — with tension not rising, however, but falling.

Metamorphosen – the dynamic 2nd part – is initiated by nervous pizzicati. The Epilog, closing the whole, brings a reminiscence of the mood of the Prolog. It received a notable performance later that year at the Warsaw Autumn Festival Thomas fuuneral, Everywhere Shop Hire Library. Funeral Music for string orchestra. Articles containing Polish-language text. The composition consists of one movement with four distinct sections marked by changes of texture and instrumentation as opposed to four distinct movements, which are marked by double bar lines and extended periods of silence.

The works premiere took place on 6 March in Katowice.

Funeral Music

This lutosllawski is not only one of the most important in the post-war history of Polish music, but also a significant turning point in the artistic development of the composer himself. In any event, in this piece the wide registration gradually collapses inward onto a single pitch that initiates the final section.

The introduction to the moving atmosphere of this musical homage is the Prolog, which is in the form of a canon. The dodecaphonic canon of the first section appears in this final section.


Funeral Music for string orchestra – Three composers – Ninateka

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I was trying to create a set of means which would become my property. It consists of a succession of 32 twelve-tone chords. Its successive notes are interspersed with strange tones, the number of which gradually rises from one to seven. These four distinct sections are:.

The piece is scored for a small string orchestra of four violins, two violas, two cellos, and two basses. By using this site, you agree to the Terms of Use and Privacy Policy.

Ninateka – Three composers – Funeral Music for string orchestra

This page was last edited on 29 Januaryat fneral The series is successively presented a fifth lower according to the circle of fifths. Retrieved from ” https: In any event, the row from the Prologue undergoes twelve transformations. The main culminating point was constructed on the basis of a note chord complex. This reaches its greatest intensity at the beginning of the climactic third part, the Apogeum.

In the second part, the Metamorphoseswe hear a return of the melody from the Prologuetransformed in a sophisticated manner: It is of small dimensions and non-independent character – lutlslawski segment is essentially the culmination of the entire work. Tension rises until the moment in which the violins chant two notes, F and B, a chant then taken up by the cellos with the double basses.

Both of these intervals are associated with lament and funeral topics. From Wikipedia, the free lutowlawski.


It is in one movement, but one can distinguish in it four clear phases. And this is the first word spoken in this for me new language, but it is by no means the last. The melody passes through all instruments in the orchestra, overlapping with itself in increasingly dense weaves. Works by categories Orchestral Symphonic orchestra Chamber orchestra String orchestra Wind orchestra Instrument solo with orchestra ensemble Vocal-instrumental music Electronic music Stage works Music for children Sacred Music.

Toward the end of the Apogeum the span of the chords is diminished, while the chords themselves are reduced to a single note opening the fourth part of Funeral Musicthe Epilogue. This is accompanied by an intensification of sonic movement. Views Read Edit View history. In the development of the form, one can notice a continual increase in density of movement achieved by progressive complication of the rhythmic language leading finally to the Apogeum 3rd part.

Work on the piece lasted longer, however, and the Trauermusik was finally completed in The first movement of Funeral Musicthe Prologuepresents a melodic line consisting of 24 notes.

Although the apogeum is relatively short, clocking in lutolsawski less than one minute and consisting of a mere twelve bars, it is nevertheless structurally significant. Music Education Day Check.