Artaud’s Manifesto on ‘No More Masterpieces’. SM Antonin Artaud. “Past masterpieces are fit for the past, they are no good to us. We have. age to Antonin Artaud. whose work had revolutionized the modern No More Masterpieces Masterpieces of the past are good for the past: they are not. PERHAPS one of the most controversial statements of the revolutionary. French dramatic theoretician, Antonin. Artaud, was his call for “No More Master- pieces.

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Still to this day, a great majority of interns are still reporting that they are being taught the single ticket buyer–subscriber–donor pyramid that was developed in the ‘s. Don’t get me wrong. But the tide has turned. Opinions on this blog are his own and do not represent his employers in any way.

Antonin Artaud By Maurice Saillet. No More Masterpieces Summary.

The Theater and Its Double – VI. No More Masterpieces Summary & Analysis

The Theater of Cruelty Second Manifesto. We can either continue to teach an outdated model and send our students into the world unprepared, or we can present the current facts and hopefully one of them will be the next Danny Newman and come up with a brilliant solution.

Please help improve this article by adding citations to reliable sources. It hasn’t been that long since I myself finished graduate school, so I always like to compare notes on what is currently being taught.


However times have changed. MySpace and Arts Organizations View the Lesson Plans. On the Balinese Theater.

By using this site, you agree to the Terms of Use and Privacy Policy. People started designing subscription campaigns around Danny’s advice. The Theater and Cruelty. We all know that subscriptions especially traditional ones are becoming less and less popular. Articles lacking sources from December All articles lacking sources All stub articles. Views Read Edit View history.

From Wikipedia, the free encyclopedia. We now need to address the fact that audiences are no longer subscribing at the rates they used to.

Artaud’s Manifesto on ‘No More Masterpieces’ by Sarah Murdoch-Smith on Prezi

Browse all BookRags Study Guides. Danny’s book revolutionized arts marketing. So why do we continue to teach the subscription method as the gospel in our arts administration classes? It was responsible for the tremendous growth of hundreds of companies.

The Theater of Cruelty First Manifesto. In this chapter Artuad argues that works from the past “masters” i. The Jungle is a riveting description of the meat packing industry in the ‘s and was a catalyst for huge amounts of change, but is no longer considered an accurate description of the industry in current day.

Subscribe To Posts Atom. Retrieved from ” https: This blog has been created to discuss arts marketing related issues in the United States.


This article does not cite any sources. The collection is still read, and strongly influenced the directing philosophies of such renowned figures as Peter Brook and The Living Theatre. Twitter Updates Twitter Updates follow me on Twitter.

One of the chapters in this book was entitled No More Masterpieces. This article about a non-fiction book on theatre is a stub.

Arts Marketing: No More Masterpieces (or why are we still teaching this?)

Shakespeare, Moliere, etc shouldn’t be produced regularly in current day because they are no longer topical–they no longer connect with current day audiences. About Me Chad M. No More Masterpieces Summary and Analysis The biggest obstacle standing in the way of a complete and fundamental renewal of the art of theater is the respect and admiration that we have for the old, classic texts. December Learn how and when to remove this template message.

Theatre Communications Group for the first time reported that inrevenue from single ticket mastepieces surpassed subscription revenue.

View the Study Pack. Danny Newman’s book should be required reading for all arts administration students, but more in line with other historical texts such as Uptan Sinclair’s The Jungle.